The Artist Behind the Avatar: Exploring Identity Across Digital and Physical Worlds
Exploring the relationship between virtual identity, self-portraiture and physical collage through nearly twenty years of creative practice.
Exploring the relationship between virtual identity, self-portraiture and physical collage through nearly twenty years of creative practice.
A look at Surrealism Beyond Borders, the Met and Tate exhibition that reframed Surrealism as a global movement of freedom, resistance, feminism, exile, and anti-colonial imagination.
A personal reflection on using AI in the arts as a support tool for thinking, writing, research, and planning, while keeping final art outcomes grounded in human authorship.
David Sainsbury has donated £91.2 million to the Sainsbury Centre in Norwich. The gift will fund major upgrades, but it also raises difficult questions about philanthropy and the future of UK museums.
Tracey Emin’s new lithograph series I Need tomorrow arrives alongside her Tate Modern retrospective, reframing her work through survival, illness, printmaking, and the art of continuing.
Studying art as someone who creates in Second Life has changed how I understand space, material, and presence. My practice doesn’t sit neatly inside the traditional idea of the studio. It moves between screens, avatars, regions, textures, objects, scripts, photographs, video, and lived digital experience. Second Life isn’t just a tool I use to display … Read more
The Self Being project has made me think differently about the value of ordinary, repeated tasks. Not the dramatic parts of making art. Not the polished final outcome. The day-in, day-out actions that often feel mediocre while they’re happening: setting things up, adjusting details, documenting work, moving materials around, checking sound levels, thinking through space, … Read more
The V&A’s Rising Voices exhibition brings together over 70 works by 40 artists from 25 countries across Asia, Australia and the Pacific. It is about time.
This last year has been one of the most intense and formative periods of my art life. Not just because of what I made, but because of what the practice became. It stopped being a collection of pieces and started being an ecosystem: physical, digital, written, performed, archived, and very much alive.
Fiction, essays, and reflections on art, digital culture, memory, and speculative worldbuilding. Original short fiction including cli-fi, dark literary fiction, and collaborative work. The written arm of the SL Random Art Crew practice.